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Articles and Chapters
"Disability as Opportunity in Alissa Walser's Novel about the Blind Maria Theresia Paradis." Disability in German-Speaking Europe: History, Memory, and Culture. Edited by Tanja Nusser, Linda Leskau, and Katherine Sorrels. Rochester: Camden House, 2022, 219-239. Waltraud Maierhofer.
"Reproductive Rights and Reproductive Justice in Recent German-language Fiction and Film," Reproductive Justice Handbook. Edited by Beth Widmaier Capo. Palgrave Press, 2022. 107-128. https://link.springer.com/chapter/10.1007/978-3-030-99530-0_6 Waltraud Maierhofer.
"Abortion in Sweden and in Henning Mankell's Before the Frost." Nordic Journal of Feminist and Gender Research, 2021, online first at https://www.tandfonine.com/doi/full/10.1080/08038740.2021,1876164 Waltraud Maierhofer.
"Breaking the Abortion Taboo: Anne Zorah Berrached's Film 24 Weeks." Maifeminism: Feminism and Visual Culture (Sweden) 14 June 2021, https://maifeminism.com/breaking-the-abortion-taboo-anne-zohra-berracheds-film-24-weeks/ Waltraud Maierhofer.
"Das geistliche Spiel als Ablassmedium. Überlegungen am Beispiel des Alsfelder Passionsspiels (Religious Theater as an Indulgence Medium).” Religiöses Wissen im mittelalterlichen und frühneuzeitlichen Schauspiel, ed. Klaus Ridder, Beatrice von Lüpke, and Michael Neumaier (Tübingen 2021), 259-297. Glenn Ehrstine.
“Geheimnis und Gattung: Zum Begriff des Mysterienspiels.” Darstellung und Geheimnis in Mittelalter und Früher Neuzeit, ed. Jutta Eming and Volkhard Wels, 165- 184. Wiesbaden: Harrassowitz, 2021. Glenn Ehrstine.
"Putting the Souvereignty of Motherhood to the Test: Late-Term Abortion in Anna Zorah Berrached’s 24 Wochen." Feminist German Studies, 37.2 (2021), 53-83. DOI: 10.1353/fgs.2021.0011. Project Muse https://muse.jhu.edu/article/839976 (login with library account). Waltraud Maierhofer.
"What to Leaf In, What to Leaf Out: Pedagogical Opportunities of a Cultural Icon – Anne Frank’s Chestnut Tree." The Construction and Dynamics of Cultural Icons, edited by Erica Boven and Marieke Winkler, Amsterdam: Amsterdam University Press, 2021, pp. 171-188. https://doi.org/10.1515/9789048550838-009 Kirsten Kumpf Baele.
"Evidence for sk in German as a Complex Segment." Journal of Germanic Linguistics 32.1 (2020): 84-96. Sarah Fagan.
"Illustrations for the Divan in Editions of Goethe’s Works during his Lifetime." Publications of the English Goethe Society (Special issue: Goethe's West-östlicher Divan and its Uses), Volume 89, Issue 2-3 (2020), 137-156. Waltraud Maierhofer.
"Johann Heinrich Ramberg als interkultureller Buchillustrator der Goethezeit: Ein digitaler, vernetzter Werkkatalog." Jahrbuch für Internationale Germanistik 2020.LII - 1 (2020): 99-114. Waltraud Maierhofer.
"Apostrophe's Double." Konturen, Volume 10: Re-thinking Gender in Reading, (2019): 22-53. Sabine I. Gölz.
"Die Titelkupfer der Leipziger und Dresdner Künstler Peter Carl Geissler und Gustav Heinrich Naeke sowie Johannes Thomas und Friedrich Wagner Geissler und Naeke zu Goethes Ausgabe letzter Hand." Publications of the English Goethe Society 88.2 (2019): 75-107. Jstor via https://doi-org.proxy.lib.uiowa.edu/10.1080/09593683.2019.1639912 Waltraud Maierhofer.
"Human Trafficking in the Vienna Tatort Episodes 'Angezählt' and 'Falsch verpackt'." Austrian Studies Journal 53.3 (2019): 61-85. Waltraud Maierhofer.
"Indian womb - German baby? International surrogacy and citizenship in the film Monsoon Baby (2014)." Asian Journal of German and European Studies 4.8 (2019), n.p. DOI https://doi.org/10.1186/s4085; https://link.springer.com/article/10.1186/s40856-019-0045-1 Waltraud Maierhofer.
"Teaching the German Superlative." Die Unterrichtspraxis 52.1 (2019): 103-110. Sarah Fagan.
"Die Titelkupfer von Moritz von Schwind, Vincenz Grüner und weiteren Wiener Künstlern zu zwei Goethe-Werkausgaben." Wiener Jahrbuch für Kunstgeschichte (Vienna) LXV (2018), 105-31. 11 illustrations. https://www.vandenhoeck-ruprecht-verlage.com/downloads/productPreviewFiles/LP_978-3-205-20022-2.pdf
"'Emotionale Annäherung' statt Zeitreise. Sabine Weigands Die Seelen im Feuer." Germanistik zwischen Tradition und Innovation. Akten Des XIII. Internationalen Germanistenkongresses Shanghai 2015. Edited by Jianhua Zhu, Jin Zhao, and Michael Szurawitzki. Vol. 12. Edited by Stephan Jaeger et al. (Publikationen der Internationalen Vereinigung für Germanistik.) Bern: Peter Lang, 2018, 83-88. Waltraud Maierhofer.
“Raymond Peraudi in Zerbst: Corpus Christi Theater, Material Devotion, and the Indulgence Microeconomy on the Eve of the Reformation.” Speculum 93 (2018): 319-356. Glenn Ehrstine.